Swedish music – Swedish Music Shop http://swedishmusicshop.com/ Wed, 15 Sep 2021 19:50:10 +0000 en-US hourly 1 https://wordpress.org/?v=5.8 https://swedishmusicshop.com/wp-content/uploads/2021/06/icon-1.png Swedish music – Swedish Music Shop http://swedishmusicshop.com/ 32 32 New Orleans’ biggest killer was not the hurricane. It was the heat. https://swedishmusicshop.com/new-orleans-biggest-killer-was-not-the-hurricane-it-was-the-heat/ https://swedishmusicshop.com/new-orleans-biggest-killer-was-not-the-hurricane-it-was-the-heat/#respond Wed, 15 Sep 2021 19:31:51 +0000 https://swedishmusicshop.com/new-orleans-biggest-killer-was-not-the-hurricane-it-was-the-heat/ Neighbors said Ms Bergerol largely stayed in her apartment with doors and windows closed. Yet she seemed to survive. On September 3, she texted Josh Hailey, a neighbor, asking if she could visit her cat while he was away. “I have lots of goodies,” she wrote. The next day, she joined some neighbors in the […]]]>

Neighbors said Ms Bergerol largely stayed in her apartment with doors and windows closed. Yet she seemed to survive. On September 3, she texted Josh Hailey, a neighbor, asking if she could visit her cat while he was away. “I have lots of goodies,” she wrote. The next day, she joined some neighbors in the courtyard of the building for a screening of “Cinderella”.

On Sunday, Mr. Hailey entered her apartment when she did not answer the door. He found her lying on the floor and tried to resuscitate her, but it was too late. That evening, the neighbors played fanfare music in the courtyard and danced for Ms Bergerol, remembering her bright blue eyes and her frequent broad smile.

By this time, city health officials had begun to realize the danger older residents faced. A day before Ms Bergerol’s death, they evacuated eight apartments for older residents, including several where people had died. Now, city authorities are considering requiring, during natural disasters, that subsidized apartments serving elderly or disabled residents have generators, perform welfare checks or have a building manager on the property at all times, said a spokesperson.

The proposed measures are gaining momentum in part because of deaths such as that of Mr Joseph, the man trapped in apartment 312.

Mr. Joseph was well known in Village de Jardin, a relatively affordable complex in New Orleans East for those 55 and over. It is owned by the Louisiana Housing Corporation, a state agency, and is managed by Latter & Blum, a large real estate company that manages properties in multiple states. The real estate agency said Latter & Blum encouraged tenants to evacuate and then, after the storm, brought cooling buses to the property and supplies to tenants who chose to stay.

Mr. Joseph had retired years ago from an auto parts sales job. He chatted frequently with his neighbors and his routine was to have coffee and donuts around town. He was known for his faith, his love for his family and, to some, his characteristic “Yes indeed” response, which led his grandchildren to call him Grandpa Yes Indeed. Many more people knew him for his humor, which is how he befriended Mr Righteous, 45, who was attracted to Mr Joseph when he made jokes at a event hosted by the Franklin Avenue Baptist Church.


Source link

]]>
https://swedishmusicshop.com/new-orleans-biggest-killer-was-not-the-hurricane-it-was-the-heat/feed/ 0
Sri Lankan Baila Star Sunil Perera dead at 68 https://swedishmusicshop.com/sri-lankan-baila-star-sunil-perera-dead-at-68/ https://swedishmusicshop.com/sri-lankan-baila-star-sunil-perera-dead-at-68/#respond Sat, 11 Sep 2021 15:32:43 +0000 https://swedishmusicshop.com/sri-lankan-baila-star-sunil-perera-dead-at-68/ COLOMBO, Sri Lanka – In the end, it was only fitting that Sunil Perera, who had entertained generations of Sri Lankans on the radio and on the dance floor with his distinctive Latin American tunes, would sing along. On his deathbed in a hospital in Colombo, the country’s capital, Mr. Perera had requested a guitar, […]]]>

COLOMBO, Sri Lanka – In the end, it was only fitting that Sunil Perera, who had entertained generations of Sri Lankans on the radio and on the dance floor with his distinctive Latin American tunes, would sing along.

On his deathbed in a hospital in Colombo, the country’s capital, Mr. Perera had requested a guitar, but none was provided. So he turned to what could not be denied.

“The doctor told me that the day before he died he was singing and entertaining everyone there,” said Piyal Perera, Sunil’s brother and bandmate.

Mr Perera died in Nawaloka hospital on Monday, his brother said. He was 68 years old.

Although the cause of death is unclear, Piyal Perera said, Mr Perera was recovering from Covid-19 when he was rushed to intensive care.

Few of them have had such a big impact on Sri Lanka’s cultural and entertainment scene as Mr. Perera has for half a century. Often dressed in bright colors and wearing a fedora, he produced tube after tube through the Gypsies, the family group, which was preparing to celebrate its golden jubilee this year.

The gypsies specialized in the baila, a joyful and rhythmic genre sung mainly in Sinhala but influenced by the Portuguese, who colonized much of the island in the 16th and 17th centuries.

Over the decades, he has used his words and his voice to amplify concerns about Sri Lanka’s shrinking democratic space. The country, still recovering from years of civil war, has been beset by government pressure against journalists, activists and minority groups. Mr. Perera frequently attacked the country’s decaying political elite, which became bogged down in feuds and which he believed were dashing the nation’s hopes.

“He was both popular and a protester,” said Lakshman Joseph-de Saram, a film composer from Sri Lanka. “We rarely have a Bob Dylan and a Michael Jackson in one package.”

“He was,” added Mr. Saram, “our baila king.”

Tributes poured in after Mr Perera’s death, including from politicians he had openly criticized. He directed his anger against the ruling Rajapaksa family in the country and against the opposition which repeatedly disappointed him with the chaos in its ranks.

President Gotabaya Rajapaksa called his death a “great loss”. Opposition leader Sajith Premadasa said Mr Perera had “pioneered a modern revolution in Sri Lankan musical history”.

He was born Uswatta Liyanage Ivor Sylvester Sunil Perera in 1952 to a Roman Catholic family and grew up in the Colombo suburb of Moratuwa. He was one of 10 children of Anton Perera, a former soldier, and Doreen Perera, a housewife.

The elder Mr. Perera built the Gypsies largely around his children. Sunil was a teenager when he joined the group and later became the lead singer. He described his father as a disciplinarian who had wanted him to complete his graduate studies, but supported his choice when he left school to focus on guitar and vocal training. In 2017, the Gypsies recorded a family tribute to their founder.

Sunil Perera’s stubborn lyrics and public stance set him apart from other top musicians in Sri Lanka. In his songs he dealt with corruption and embittered politicians after their electoral defeats. One song depicts aliens landing in Sri Lanka and declining an invitation to stay.

“It has been 72 years since we achieved independence,” he said in an interview. “We are in debt to the whole world. Is it the people’s fault? Whose fault is it? I don’t blame a group. I blame all the politicians who have governed us.

He spoke openly about his personal life, discussing what he considered to be hypocritical attitudes about sex in conservative Sri Lankan society. But his tongue has often got him in trouble, especially when he described women as “baby machines” in a discussion of the size of Sri Lankan families in his father’s generation.

His friends and family recognized that Mr. Perera could be a source of division. But they said his outspokenness came from his firm belief that Sri Lanka could overcome the ethnic and religious divisions that have led to conflict for decades. Piyal, his brother, said Mr Perera said what would make him happiest would be for his four children to marry in four different communities.

“His head wasn’t swollen with fame – it was simple,” said Mariazelle Goonetilleke, a fellow musician and friend. “He was not afraid to speak the truth, always said what he thought. There were people who didn’t like it.

Mr Perera fell with Covid-19 last month and was hospitalized for 25 days before being released, to be readmitted, this time to intensive care, days later.

In addition to his brother, survivors include his wife, Geetha Kulatunga; two daughters, Rehana and Manisha Perera; and two sons, Sajith and Gayan.

In a video message After his initial discharge from the hospital, Mr Perera appeared weak but determined as he thanked the hospital staff and his fans and supporters. He was dressed in a white shirt and a gray hat, his usual colors missing.

“We thank God for giving us such a crowd,” he said. “We will certainly get this blessing again. When we have that time, let’s meet again, like in the good old days.


Source link

]]>
https://swedishmusicshop.com/sri-lankan-baila-star-sunil-perera-dead-at-68/feed/ 0
MTV VMAs 2021 Adds More Celebrities To Its Star Performer List https://swedishmusicshop.com/mtv-vmas-2021-adds-more-celebrities-to-its-star-performer-list/ https://swedishmusicshop.com/mtv-vmas-2021-adds-more-celebrities-to-its-star-performer-list/#respond Wed, 08 Sep 2021 15:59:00 +0000 https://swedishmusicshop.com/mtv-vmas-2021-adds-more-celebrities-to-its-star-performer-list/ ANI | Update: 08 Sep 2021 21:29 STI Washington [US], September 8 (ANI): The next MTV Video Music Awards will be packed with performance!According to People magazine, MTV on Tuesday announced several additions to the VMA lineup: The Kid LAROI, Jack Harlow, Ozuna and Tainy.Harlow will take the stage alongside Lil Nas X for “Industry […]]]>



ANI |
Update:
08 Sep 2021 21:29 STI

Washington [US], September 8 (ANI): The next MTV Video Music Awards will be packed with performance!
According to People magazine, MTV on Tuesday announced several additions to the VMA lineup: The Kid LAROI, Jack Harlow, Ozuna and Tainy.
Harlow will take the stage alongside Lil Nas X for “Industry Baby”, while Tainy will join Shawn Mendes for their “Summer of Love” collaboration.
Kid LAROI – who is in the running for Best New Artist and PUSH Performance of the Year – will perform his track “Stay”. Meanwhile, Latin superstar Ozuna will perform ‘La Funka’, two years after taking the stage for the first time alongside Rosalia.
Sharing the news on his Instagram, Ozuna wrote in Spanish that “this Sunday will be special” as he teased a collaboration on stage.
“Who will come with me ???” he wrote. “What does La Funka ?????”
The announcement of the new performer comes days after MTV announced that rising stars Kim Petras, Swedish House Mafia and Polo G will perform at the pre-show hosted by Tinashe.

Petras will take the stage with his track “Future Starts Now”, Swedish House Mafia will perform “Lifetime” and “It Gets Better”, while Polo G will perform “Rapstar”.

The new set of performers will join Doja Cat, Chloe (of Chloe x Halle), Twenty One Pilots, Olivia Rodrigo, Machine Gun Kelly and Camila Cabello who were previously announced.
Rodrigo will perform ‘Good 4 U’, Kelly will take the stage with ‘Papercuts’ and Cabello will perform ‘Don’t Go Yet’.
Chloe will perform her first single as a soloist ‘Have Mercy’, while Twenty One Pilots will take the stage with ‘Saturday’.
Meanwhile, the Foo Fighters, who will also be featured as performers, will receive the very first US Global Icon award. Lorde was originally scheduled to perform but withdrew due to a “change in production elements”.
The MTV VMAs, hosted by Doja Cat, will air live from New York on September 12. (ANI)


Source link

]]>
https://swedishmusicshop.com/mtv-vmas-2021-adds-more-celebrities-to-its-star-performer-list/feed/ 0
Podcasts and music not to be missed this fall https://swedishmusicshop.com/podcasts-and-music-not-to-be-missed-this-fall/ https://swedishmusicshop.com/podcasts-and-music-not-to-be-missed-this-fall/#respond Sat, 04 Sep 2021 07:47:28 +0000 https://swedishmusicshop.com/podcasts-and-music-not-to-be-missed-this-fall/ Spotify has a slew of music and news podcasts to look forward to this fall: exclusive studio recordings from Veronica Maggio, among others, and hip-hop thrills A36 and B. They will be released in the coming weeks. Photo: Spotify Music and podcasts remain a very important source of entertainment, information and entertainment, and at Spotify […]]]>

Spotify has a slew of music and news podcasts to look forward to this fall: exclusive studio recordings from Veronica Maggio, among others, and hip-hop thrills A36 and B. They will be released in the coming weeks.

Photo: Spotify

Music and podcasts remain a very important source of entertainment, information and entertainment, and at Spotify we continue to strive to be the platform with the best experience and the strongest content. Autumn offers a number of unique recordings from our music studio and a number of new podcasts with some of the most interesting Swedish sounds around, says Johan Seidfors, Nordic Content Manager at Spotify.

Podcast writers, the podcast sitcom and the first Swedish podcast on Spotify

In collaboration with comedian Philip Dyckman, Spotify is making the first Swedish podcast with video and with Margaux Dietz, a unique podcast is being created based on the influencer’s upcoming debut novel. Edvin Törnblom plays one of the lead roles when Spotify creates a brand new sitcom in podcast format, listeners’ favorite Sekter and Spotify Dok return with more exciting stories and tragic lives – this fall with journalists Soraya Hashem and Jack Werner.

Spotify Podcast School

This fall, the investment in new talent is also being made with the launch of Welcome to the Island and Listen Girls, whose founders shared their podcast ideas and developed them at Spotify Sound Up’s podcast school during of the year. Welcome to Al Jazeera, starring future comedy stars Fatma Hellgren Kamara and Ole Gelkin, and Hear Girls, by and starring Melmo Ruba Kazim and Aya Said, which premieres next week.

See all the premieres below!

Today, you can listen to all the trailers on your fall podcast news playlist.


Source link

]]>
https://swedishmusicshop.com/podcasts-and-music-not-to-be-missed-this-fall/feed/ 0
‘Cinderella’, ‘Flag Day’ among 20+ new movies this week https://swedishmusicshop.com/cinderella-flag-day-among-20-new-movies-this-week/ https://swedishmusicshop.com/cinderella-flag-day-among-20-new-movies-this-week/#respond Thu, 02 Sep 2021 08:23:25 +0000 https://swedishmusicshop.com/cinderella-flag-day-among-20-new-movies-this-week/ Beckam Crawford plays Nick (9-11) and Sean Penn plays John Vogel in FLAG DAY Photo: Goldwyn Mayer Metro Here are some of the new movies hitting theaters or streaming, streaming, renting or buying this week. “Amaraic” Partially shot in Texas (Fort Worth, El Paso), this indie tells the story of an undocumented roofer who, while […]]]>

Beckam Crawford plays Nick (9-11) and Sean Penn plays John Vogel in FLAG DAY

Photo: Goldwyn Mayer Metro

Here are some of the new movies hitting theaters or streaming, streaming, renting or buying this week.

“Amaraic”

Partially shot in Texas (Fort Worth, El Paso), this indie tells the story of an undocumented roofer who, while trying to become a citizen, becomes a new father at the start of the US government’s child separation policy.

Unclassified. Starts airing September 3 on HBO Max.

“The big scary ‘S’ word”

Documentary on the history of socialism.

Unclassified. Starts streaming September 3 on various platforms.

“Bitchin ‘: The Sound and Fury of Rick James”

Music documentary maker Sacha Jenkins (“Wu-Tang Clan: Of Mics and Men”) delves into the colorful life and career of “super monster” Rick James.

Unclassified. Airs September 3 at 8 p.m. on Showtime.

“Blood brothers: Malcolm X and Muhammad Ali”

This documentary takes a look at the friendship between Malcolm X and Muhammad Ali, which ultimately led to a falling out.

Classified PG-13. Starts streaming September 9 on Netflix.

“Chal Mera Putt 2”

Indian drama in Punjabi – but shot in Canada, Australia, New Zealand and the UK – about friendship and love between undocumented migrants.

Unclassified. Opening September 3 at Cinemark Memorial City, Houston.

“Cinderella”

A contemporary and musical take on the classic fairy tale, starring Camila Cabello, Billy Porter and Idina Menzel.

Classified PG. Opening September 3 at Cinemark 19, Katy; Cinemark 18, Webster; starts streaming September 3 on Amazon Prime Video.

“Flag Day”

Sean Penn has been acclaimed for directing and starring in this story of a man who resorts to crime to support his daughter. Regina King and Josh Brolin co-starring.

Classified R. Opening September 3 at Regal Greenway Grand Palace 24, Houston; Regal Grand Parkway, Richmond.

“Good”

Justin Etheredge’s drama about a young man who is to be the keeper of a rich man at the end of his life.

Unclassified. Opening September 3 at America Cinemas, Houston.

“Hands in the air”

A young black teenager struggles to get out of a downtown Chicago neighborhood after his cousin is killed by police.

Unclassified. Opening September 3 at Studio Movie Grill Pearland.

“Happier than ever: a love letter to Los Angeles”

Billie Eilish performs with the Los Angeles Philharmonic and the Los Angeles Children’s Choir in a film concert directed by Robert Rodriguez.

Unclassified. Starts airing September 3 on Disney +.

“JJ + E”

Swedish drama about two children from the same city who are separated by economy and culture.

Unclassified. Starts streaming September 8 on Netflix.

“Karen”

Drama in which a racist white woman makes it her mission to move her new African-American neighbors.

Unclassified. Starts streaming September 3 on various platforms.

“The lost Leonardo”

Documentary on “Salvator Mundi”, the first painting by Leonardo da Vinci found in a century, which may be missing.

Classified PG-13. Opening September 3 at the Regal Greenway Grand Palace 24, Houston.

“Mogol Mowgli”

Riz Ahmed (“Sound of Metal”) is dynamite as a British Pakistani rapper going through an emotional and physical crisis, in the first narrative feature film from Houston-raised director Bassam Tariq.

Unclassified. Opening September 3 at Alamo Drafthouse LaCenterra, Katy; shown at 7 p.m. on October 7 at the Houston Museum of Fine Arts.

“Powder keg”

Nikolaj Coster-Waldau stars in a Danish drama based on a true story about four intersecting lives during the 2015 terrorist attack in Copenhagen.

Unclassified. Starts streaming September 3 on various platforms.

“Shang-Chi and the legend of the ten rings”

Simu Liu becomes Marvel superhero Shang-Chi in this highly entertaining elevation from a minor comic book character to a star.

Classified PG-13. Opening September 3 throughout Houston.

“Slaxx”

A pair of jeans in a trendy store is possessed and begins to murder the staff. A young employee has to stop him.

Rated TV-MA. Starts streaming September 3 on various platforms.

“United 93”

Paul Greengrass’ dismal and masterful version of the doomed United Flight 93 in 2006 is receiving a theatrical reissue for the 9/11 anniversary.

Classified R. Opening September 3 at AMC Willowbrook 24, Houston.

“We must do something”

Horror film about a trapped family.

Rated R. Starts streaming September 3 on various platforms.

“Wild Indian”

Michael Greyeyes (“Rutherford Falls”) stars in a drama about a man who years ago killed a classmate on a reservation. Now someone is looking for revenge. Jesse Eisenberg co-stars and produces.

Unclassified. Opening September 3 at Studio Movie Grill Pearland; starts airing on September 3 on various platforms.

“Value”

A lawyer fights for the victims of September 11. Stanley Tucci and Michael Keaton featured.

Unclassified. Streaming begins September 3 on Netflix.

“Princess Yakuza”

Masumi and Jonathan Rhys Meyers are featured in this sword-heavy action flick in which a fortune heiress Yakuza makes a deal with a stranger for an ancient sword to fight. Based on the graphic novel “Samurai Shiro”.

Unclassified. Opening September 3 at the Galveston Primetime Cinema; starts airing on September 3 on various platforms.

“Zone 414”

Guy Pearce plays a private detective, in a future humanoid colony, who has been hired to search for a missing girl. His hunt could lead to the discovery of secrets that threaten the future of the colony.

Rated R. Starts streaming September 3 on various platforms.





  • Cary Darling

    Cary Darling joined the Houston Chronicle in 2017 where he writes on arts, entertainment, and pop culture, with an emphasis on film and media. A native of Los Angeles and a graduate of Loyola Marymount University, he has served as a reporter or editor at the Orange County Register, the Miami Herald, and the Fort Worth Star-Telegram. In addition, he has freelance work for a number of publications including the Los Angeles Times and the Dallas Morning News.


Source link

]]>
https://swedishmusicshop.com/cinderella-flag-day-among-20-new-movies-this-week/feed/ 0
Zeal & Ardor Releases Soulful New Song ‘Bow’ + Announces 2022 Album https://swedishmusicshop.com/zeal-ardor-releases-soulful-new-song-bow-announces-2022-album/ https://swedishmusicshop.com/zeal-ardor-releases-soulful-new-song-bow-announces-2022-album/#respond Wed, 01 Sep 2021 14:40:51 +0000 https://swedishmusicshop.com/zeal-ardor-releases-soulful-new-song-bow-announces-2022-album/ Zeal & Ardor, who released two singles earlier this year, just released another new track, “Bow”, which comes in tandem with the announcement of the eponymous third album, due on February 11, 2022. The band, who are singer and multi-instrumentalist Manuel Gagneux’s only vision, followed up on “Run” and “Erase,” both of which appear on […]]]>

Zeal & Ardor, who released two singles earlier this year, just released another new track, “Bow”, which comes in tandem with the announcement of the eponymous third album, due on February 11, 2022.

The band, who are singer and multi-instrumentalist Manuel Gagneux’s only vision, followed up on “Run” and “Erase,” both of which appear on the upcoming album, with “Bow,” a tense song that barely arrives over. two minutes, but accomplishes a lot with its pounding tempo and moving, passionate performance.

“’Bow’ takes established musical themes and puts them in a completely different context. It’s an amalgamation of bad luck things that require you to buy into it,” said Gagneux.

Listen to “Bow” further down the page and also read the lyrics below.

“With the eponymous record, we got to where I imagined this project should look like,” added Gagneux, reflecting on Zeal & Ardor’s third album, which was recorded by Marc Obrist and Gagneux at Hutch Sounds with Will Putney ( Fit For An Autopsy) in charge of mixing and mastering at Graphic Nature Audio.

“It’s the longest we’ve worked on a single record and I think it shows,” he continued. “The most important thing for any of our albums to do is instantly transport you to our mood, our world. While it might not be what you expect from us, this album certainly lives up to it. Focus on what we think makes us interesting and what sounds we would like to explore. Because of this, we have found our home. The house is burning. Welcome home. Welcome home.

Zeal & Ardor will be published on MVKA and pre-orders can be placed here.

Zeal & Ardor, “Bow” Lyrics

Black cats appear out of nowhere
Macbeth in strong rotation
Hope finally dies and we don’t care
A young girl cries out dead to the nation
A Greek god on the back of a stallion
Arrive on a three-lane highway
Prepare for the death of a billion
Wake up at the end of my day

Wake up at the end of my day

Last stand in a shade of vermilion
Sealed lips quivering with anger
Prepare for the death of a billion
Wake up at the end of my day
Don’t cry for the weak and the neglected
Go blind in the cage we have erected
Stand up straight with the rage of a storm now
Kill hope for the age cause we know how

Curl up in shame
Curl up in shame

So go
Who will mourn the dead?
Curl up in shame
So go
Who will mourn the dead?
Bow down the American way
Bow down the American way
Bow down the American way
Bow down the American way

Zeal & Ardor, “Arc”

Zeal & Ardor, Zeal & Ardor Album cover + track list

01. “Zeal & Ardor”
02. “Run”
03. “Death to the Saint”
04. “Emersion”
05. “Golden Liar”
06. “Delete”
07. “Arc”
08. “Feed the machine”
09. “I caught you”
10. “The church is on fire”
11. “Götterdämmerung”
12. “Keep your head down”
13. “JMB”
14. “AHIL”

Best Metal Songs of 2021 (So Far)

Loudwire’s picks for the best metal songs of 2021 to date.


Source link

]]>
https://swedishmusicshop.com/zeal-ardor-releases-soulful-new-song-bow-announces-2022-album/feed/ 0
The 10 best Scorpions albums, chosen by Rudolf Schenker https://swedishmusicshop.com/the-10-best-scorpions-albums-chosen-by-rudolf-schenker/ https://swedishmusicshop.com/the-10-best-scorpions-albums-chosen-by-rudolf-schenker/#respond Tue, 31 Aug 2021 00:08:12 +0000 https://swedishmusicshop.com/the-10-best-scorpions-albums-chosen-by-rudolf-schenker/ With over half a century of hurricane rock behind them, Scorpions may have slowed down a bit, but the band that helped shape the model of modern mainstream metal with albums like Lovedrive, animal magnetism, blackout and Thunderbolt are still a tremendous force in and out of the studio. The driving force behind the group […]]]>

With over half a century of hurricane rock behind them, Scorpions may have slowed down a bit, but the band that helped shape the model of modern mainstream metal with albums like Lovedrive, animal magnetism, blackout and Thunderbolt are still a tremendous force in and out of the studio.

The driving force behind the group remains Rudolf Schenker, a man whose metronomic and precise rhythm guitar provides the fuel for much of the group’s success. Here he chooses his 10 favorite Scorpions albums.

10. Moment of Glory (2000)

“We never thought about making an orchestral album, until we were told that the Berlin Philharmonic wanted to work with us. We were the only group they wanted to work with. They even refused Pink Floyd!

“The whole event was a great experience, and we worked really hard on the arrangements. I’m not a big fan of classical music, but it’s something that gave the songs an added edge. Scorpions If MTV Unplugged showed that we could be convincing in an acoustic environment, it proved that we could collaborate with a world-class orchestra.

9. MTV unplugged (2014)

” We did Acoustic in 2001, so when we were asked to do an MTV Unplugged show, we wanted to make it different. Usually bands do this in front of very small crowds, so we decided to do it with a large audience in a special setting. This is why we went to Athens (to the Lycabettus Open Air Theater).

“The songs are obviously all very strong, but I think the arrangements we made worked out wonderfully. And the atmosphere was amazing. I think we proved that we can play an acoustic show at a very high level. “

8. Forever Return (2015)

“It was originally supposed to be an album with leftovers from the ’70s and’ 80s. And that’s how it started. But one day I found a book my mom kept from September 1965 that documented how much money I owed my dad who loaned us what we needed to go on tour at the time.

“My mom was determined to repay my dad for everything he loaned to the band. When I showed this book to our manager, he was very excited, because he realized that 2015 was our 50th anniversary, and so few bands make it in. So he insisted that we make an album that celebrates the event.

“What we did was use some of the leftovers, but also write new songs with the Swedish rock mafia (Mikael Nord Andersson and Martin Hansen). He really has the spirit of the 1980s, and I would say it fits perfectly between Thunderbolt and Wild fun. “

7. Wild Fun (1988)

“I always thought these were some of our best songs, but what let him down was the production, which I never liked. But by the time we got to Wild fun, we knew exactly what we were doing and were very up to speed when it comes to the style and sound of the Scorpions.

“It wasn’t that we were in the rehearsal, but we all knew our roles. If only the production had been better …”

6. Mad World (1990)

“We were lucky enough to record the music we wanted to play without Dieter Dierks, who had been our producer ever since. In trance in 1975. Bruce Fairbarin was our initial choice to perform, and we flew to LA to meet him. He put us in touch with Jim Vallance because he thought Jim could help write the songs.

“We got along so well with Jim, and ended up co-writing a lot of this album with us – seven tracks in all. But at the last minute Bruce said he was asked to produce AC / DC. , who still had one of his ambitions so he couldn’t do our album. Eventually we went with Keith Olsen, who did a great job. Most of the recordings were done at his Goodnight LA ​​studios. , but Klaus had some issues with the vocals, so we did it at Wissloord Studios in Holland, where we also mixed it.

“The album is of course known for Wind of change, which became a hymn to peace for the time. But there were other songs like Send me an angel, which was massive in Asia. Grunge was really taking off, but we could play in front of 20,000 people in a place like Malaysia thanks to that last song. In fact, the consistency of this album helped us survive the onslaught of grunge.

5. Live in the World (1985)

“Every performance here is a killer. It’s been recorded in so many cities around the world (five locations), and our producer Dieter Dierks came with us on the road and spent hours going through each recording we made to find the best version of each song. .

“It was a long job, but it was worth it. It represented how exciting everything was for us at the time, because we were headlining big venues. Until recently, it was the second best-selling live album. Frampton comes to life! was selling more copies.

4. Animal magnetism (1980)

“We had just completed a huge promotional tour Lovedrive, so I didn’t have a lot of time to put the songs together for the next album. And Matthias [Jabs, guitar] still found its marks.

“But despite all of that, it’s a really powerful album, and some of the songs have become classics. Make it real, Lady Starlight, the zoo… They are an important part of Scorpio history.

“When Animal Magnetism was released, we were also getting a lot bigger and we were about to be headliners everywhere. It was a crucial step for us.

3. Lovedrive (1979)

“This was the album where we wanted to prove that losing Uli Jon Roth on guitar wouldn’t affect us. Klaus and I were determined to show that we could continue without him. We sent for Matthias, but he still found his way. So I did a solo, and my brother Michael did too.

“He was on his honeymoon and called me to tell me he was back in Germany. Michael asked what we were doing, and when I told him we were doing a new album he offered to me. to come and play on it. It made a big difference. to the overall sound. I also like the cover art because it really stands out.

2. Love at the First Prick (1984)

“Again, I think the songs are so good. But maybe what puts it a bit off my top pick is that the production isn’t as good. We went to Polar Studios in Stockholm because we wanted to work in a different location. It was one of the first fully digital studios, and it had a great vibe.

“The mistake we made was recording and mixing digitally. We should have mixed the old fashioned way to analog. So the overall sound of the album was not that good.

“But the songs … well, Rock you like a hurricane is one of the rock’n’roll anthems of the 1980s, while Still loving You started a baby boom in France. It’s also been played so much in Russia, that made us a really big band in the country long before we played there in 1988. ”

1. Breakdown (1982)

“There are so many great songs on this album. But it’s more than that that puts it first for me. The sound was so loud, because we were using a state of the art 32 track machine in the studio.

“But more than that, we had to overcome a huge problem, because Klaus Meine lost his voice, and that put a lot of pressure on us. The fact that we got over the problem makes the album very special. Nobody like you became the most played rock song on American radio in 1982, which helped us ramp up and become full headliners there.

“I must also mention the album cover, which I love. We had a lot of meetings with Hipgnosis, who made the Lovedrive and Animal Magnetism covers. But none of their ideas fit. Then I looked in the German magazine Back one day and I saw this photo of (artist) Gottfried Heinwein. I knew it was the cover. I called Klaus, and he saw the photo at the same time and agreed with me! “


Source link

]]>
https://swedishmusicshop.com/the-10-best-scorpions-albums-chosen-by-rudolf-schenker/feed/ 0
Swedish Hit Makers, ABBA, back on the music scene after years of absence https://swedishmusicshop.com/swedish-hit-makers-abba-back-on-the-music-scene-after-years-of-absence/ https://swedishmusicshop.com/swedish-hit-makers-abba-back-on-the-music-scene-after-years-of-absence/#respond Sat, 28 Aug 2021 15:46:46 +0000 https://swedishmusicshop.com/swedish-hit-makers-abba-back-on-the-music-scene-after-years-of-absence/ ABBA, the super quartet is back teasing new music and other zesty projects. With more than 30 years of absence from the public, the super music group is back. “ABBA is finally making a comeback and plans to release their first new music in 39 years next Friday – that’s huge,” an inside source said. […]]]>

ABBA, the super quartet is back teasing new music and other zesty projects. With more than 30 years of absence from the public, the super music group is back.

“ABBA is finally making a comeback and plans to release their first new music in 39 years next Friday – that’s huge,” an inside source said. The sun.

Although they haven’t released a studio album since the 1980s, “The Visitors,” their legacy, is considered a classic around the world, having been used in several blockbuster movies and video games.

Instagram | ABBA

The new generations of pop fans have also been able to revel in the superb songs produced by the pop stars. Like old wine, they’ve certainly aged gracefully.

Want to know more about this awesome band and what they have in store for the fans? Continue reading below for more information.

What do we know about ABBA?

The Swedish-born pop group formed in 1972 to become one of the greatest charts of all time. Their reign of fame spanned between 1974 and 1983, when the group released back-to-back hits leading to record sales of over $ 150 million. These victories made him one of the best-selling musical artists of all time, even after a 30-year hiatus.

They are known as the first band from a non-English speaking region to release songs that have consistently topped the charts in English speaking countries including the US, UK, Ireland, Canada, Australia, New Zealand, and have remained one of the best. – sell groups outside of Europe.

ABBA acronym for the first letter of the team member’s names, consists of songwriters Björn Ulvaeus and Benny Andersson of The Hep Stars and singers Agnetha Fältskog and Anni-Frid Lyngstad, who have already enjoyed success as solo artists. Ulvaeus married Fältskog and Andersson married Lyngstad, and they remained a couple for most of the band’s main active years until their divorce which could have sparked the band’s disbandment.

Several news outlets have discussed ABBA’s release of new tracks in the coming weeks. It would be the band’s first new music after 3 decades. A documentary style film is also in preparation, titled “ABBA Voyage”. “They plan to showcase the artistic content of how they created their music in the documentary and unveil their ABBA-tars, which are like holograms of themselves playing and singing,” a close source revealed.

It looks like the project has been in the works since 2019. Along with Simon Fuller, the band are working hard to produce new tracks, according to IMDB.

Personal lives

More fame in their glory days resulted in more disruption in their personal lives, which ultimately led to both marriages ending within a year of each other.

ABBA never officially announced the end of the group, although it was considered disbanded by most fans after one last public performance in 1982, and no further return to the stage as a group. After the band disbanded, Andersson and Ulvaeus achieved success as excellent music writers for other artists, while Lyngstad and Fältskog continued their solo careers.

The breakdown of the two marriages resulted in darker musical compositions that reflected the changes in the group’s relationship. The relationship changes were reflected in the band’s music, with later compositions featuring darker and more introspective lyrics.

Top titles

In 1974, ABBA won the Eurovision Song Contest, with the song “Waterloo”, after previous attempts at the competition.
The song became their No. 1 debut single in several European countries, including the UK and West Germany. It also placed in the top ten in Spain, Australia and France, Canada and the United States, and that was just the tip of the iceberg.

Another success came after the release of “SOS,” “Mamma Mia” and “I Do, I Do, I Do, I Do, I Do” pushing them off the label of music newbies into stardom. By early 1976, the group had already amassed four Top 30 singles on most music charts around the world, and four more hits were on the horizon.

ABBA then released a fourth studio album “Arrival,” a superb piece of musical art. The album drew criticism from UK music weeklies such as Melody maker and New Musical Express and several others from American critics. The arrival produced hit after hit, such as “Money, Money, Money”, “Knowing Me, Knowing You, Dancing Queen” and “Fernando” to the delight of fans.

The group remained relevant even after their split as seen from the tech giants, Sony collaborated with music group Universal to release SingStar ABBA on the PlayStation 2 and PlayStation 3 game consoles, as part of the SingStar musical video games in 2008. The PS2 version includes 20 songs from ABBA, while 25 songs are present in the PS3 version.

Shows And Visits

ABBA launched its first European tour, with appearances in Denmark, West Germany and Austria. The project had limited success as most of the sites did not sell.

The second leg of the tour that took them through Scandinavia was a resounding success that earned them the accolades they wanted. Live performances continued in the middle of 1975 to 1980 as ABBA embarked on further tours in Sweden, Finland, Canada, the United States and Japan.

In Japan, in 1980 when they arrived at the airport, thousands of fans were already present to welcome them. The group went on to give eleven sold-out concerts, including six shows at Tokyo’s Budokan. This tour was the last of their successful career.

However, fans may well see their first tour in eons if all goes well. Be careful.



Source link

]]>
https://swedishmusicshop.com/swedish-hit-makers-abba-back-on-the-music-scene-after-years-of-absence/feed/ 0
Six songs that feature Rolling Stones drummer Charlie Watts https://swedishmusicshop.com/six-songs-that-feature-rolling-stones-drummer-charlie-watts/ https://swedishmusicshop.com/six-songs-that-feature-rolling-stones-drummer-charlie-watts/#respond Wed, 25 Aug 2021 06:34:43 +0000 https://swedishmusicshop.com/six-songs-that-feature-rolling-stones-drummer-charlie-watts/ From humble beginnings on the London club scene in the early 1960s to record-breaking world tours, Charlie Watts has never strayed from the simple four-piece drum kit on which the Rolling Stones built their legendary sound and style. Charlie Watts had “the moves” that gave the Rolling Stones their groove.Credit: Renowned drummer in his twenties […]]]>

From humble beginnings on the London club scene in the early 1960s to record-breaking world tours, Charlie Watts has never strayed from the simple four-piece drum kit on which the Rolling Stones built their legendary sound and style.

Charlie Watts had “the moves” that gave the Rolling Stones their groove.Credit:

Renowned drummer in his twenties with a flair for jazz, Watts joined Alexis Korner’s Blues Incorporated before the Stones debauched him in 1963. Guitarist Keith Richards knew from the moment he and former band member Brian Jones began jamming with Watts that he had brought an ingredient – the swing that gave the Stones rock ‘n’ roll blues its uniqueness. “He’s got the moves,” Richards said of Watts many years ago.

Watts personified the steady beat needed to keep a raging storm of guitars and rock star egos on track. On record and on stage, for six decades, it was the imperturbable Charlie Watts, the guy with all the movements, who gave the Stones their groove.

Here are six Rolling Stones songs that just wouldn’t have the same swing without Charlie Watts.

Paint it black (1966)
Opening with Brian Jones on the sitar, Watts releases the song from his soft and instantly recognizable stringed intro with a flurry of thumping beats before settling into a rock solid beat. The song has an uptempo edginess, its Middle Eastern influence, and Jagger’s melancholy lyrics underscored by Watts’ precision and the occasional cymbal accents. Written by Jagger and Richards during a tour of Australia, Watts allows the rhythm section to stand out without ever pushing too hard.

Stray Cat Blues (1968)
If you’ve ever wondered why the Stones were seen as dangerous by mainstream society in the late ’60s and early’ 70s, listen to Jagger on this track while Richards and Brian Jones roam the guitar. In the middle of it all, there is Watts. He makes everything seem so simple – the special magical ingredient that made Richards ears prick up when they first met. It’s only rock and roll, but you have to be damn good to make it sound that cool.

Give Me Shelter (1969)
Covered by other bands hoping to climb similar heights; no one really comes close to the dark, ominous vibe Watts brings to the song. Swedish rockers Hellacopters did a really good job bringing in the power but, for sheer impact, Watts made restraint a hallmark of the song. It feels like the social upheaval of the late ’60s is spreading and, once again, Watts charts a steady course as Jagger sings “fire sweeps our streets today”. These are the Stones at the height of their power.

Loading

Tumbling Dice (1972)
Probably the smoothest groove – of many notable tracks – from the band’s legendary sessions in 1971. Primarily recorded while Richards lived in the rented villa Nellcote in the south of France, Watts was traveling to and from the Exile on Main St. sessions miles away, preferring to avoid much of the nightly festivities. The wonderfully loose groove on Tumble dice is typical of the overall feel of the album and without Watts’ steady hand and subtle fillings, it wouldn’t be the classic that makes you dance from your chair or settle you down after a long night on the tiles.


Source link

]]>
https://swedishmusicshop.com/six-songs-that-feature-rolling-stones-drummer-charlie-watts/feed/ 0
Beethoven’s most important conductor is ninety-four https://swedishmusicshop.com/beethovens-most-important-conductor-is-ninety-four/ https://swedishmusicshop.com/beethovens-most-important-conductor-is-ninety-four/#respond Mon, 23 Aug 2021 10:02:43 +0000 https://swedishmusicshop.com/beethovens-most-important-conductor-is-ninety-four/ Ninety-four-year-old Swedish conductor Herbert Blomstedt has achieved an almost unprecedented longevity in his profession. Various conductors remained active past the age of ninety — Leopold Stokowski turned ninety-five — but no nonagenarian has followed a schedule comparable to Blomstedt’s. Earlier this month, he spent nearly two weeks at Tanglewood, working with the Boston Symphony and […]]]>

Ninety-four-year-old Swedish conductor Herbert Blomstedt has achieved an almost unprecedented longevity in his profession. Various conductors remained active past the age of ninety — Leopold Stokowski turned ninety-five — but no nonagenarian has followed a schedule comparable to Blomstedt’s. Earlier this month, he spent nearly two weeks at Tanglewood, working with the Boston Symphony and with students from the Tanglewood Music Center. At the end of the summer, he will take the Vienna Philharmonic Orchestra on a European tour of eight cities. In the fall, he travels to Dresden, Berlin, Tokyo, Leipzig, Munich, Bamberg, Oslo and Paris. More American dates are planned for next year, including a return to the San Francisco Symphony, which he conducted from 1985 to 1995. With the recent retirement of Bernard Haitink, who is ninety-two years, Blomstedt is effectively installed as the wise elder of the podium.

The assumption that orchestral conductors of great age radiate untold wisdom is a dubious assumption, one that exudes adoration of the moldy personality. Here again, the world of classical music makes an equally dubious cult of young people with a fresh face. The esteem in which the orchestras and the public now hold Blomstedt is a belated reward for a decidedly unscrupulous musician who has gone about his business decade after decade. What he proposes is above all a kind of supernatural accuracy: no gesture seems out of place, no gesture seems routine.

So it was with Beethoven’s Seventh Symphony, which the Boston Symphony performed under Blomstedt at Tanglewood. Like most conductors of all stature, he has recorded all of Beethoven’s symphonies; in fact, he has toured them twice, first with the Dresden Staatskapelle and then with the Leipzig Gewandhaus Orchestra. The Dresden version, dating from 1975 to 1980, is as reliable a Beethoven cycle as one can find. It rivals the authority of the contemporary efforts of Leonard Bernstein and Herbert von Karajan while avoiding their intrusive ways. The Leipzig ensemble, recorded between 2014 and 2017, documents Blomstedt’s recent preference for cleaner textures and faster tempos. Improbably, it’s just as absorbing as the beloved previous version. Very few drivers produced of them Beethoven cycles that can serve as benchmarks for future interpretations.

At Tanglewood, Blomstedt kept his Leipzig rhythms brisk, although he may have slowed the pace down a bit in the Allegretto. Superficially, his approach matched the prevailing Beethoven fad: the days of the expansion of late Romanticism having passed, conductors today compete to see who can lead the brash and hit the accents with the most. aggressiveness. The lively and abrupt Beethoven has in fact become the norm, as predictable as the old Wagnerian. Blomstedt is aware of the pitfalls. At the dress rehearsal, he stopped several times to hum passages to the orchestra, seeking a more varied phrasing and singing.

The result was a performance that jumped in vitality without plugging your ears. The balances have been handled with special care, so that the solo voices, especially in winds, hold up well against swirling strings and crackling brass. In the opening bars, the first grand chord of the A major landed with a loud thud, but the tutti in the third, fifth and seventh bars were a little more indented, giving space to the intermediate oboe solos. , clarinet, horn and flute. . For comparison, I turned to a recent recording by the talented but erratic young conductor Teodor Currentzis and his ensemble musicAeterna. There, all the tutti are hammered in a strangely brutal way.

Throughout the symphony, Blomstedt found a balance between mad strength and melancholy lyricism. In the Allegretto, few conductors can resist unleashing a heavy weight of sound when the main theme of the procession reaches its climax fortissimo, but then again Blomstedt held back, ensuring that the counter-melody of the first violins shone through clearly, with his fiery legato. The restraint strategy was crowned with success in the closing pages of the finale, when the orchestra went wild with a foaming energy that bordered on animal joy.

After the performance, I went backstage for what I assumed was a brief conversation with Blomstedt. He looked like a bookish village pastor with a sweatless face. I had resolved not to ask the obvious and stupid question: how can he still be so vigorous at his age? Some have credited his pious and sober habits: Raised in the Seventh-day Adventist Church, he never drank or ate meat. But, as he told Michael Cooper, from the Times, in 2017, “This is not the reason. It’s a gift. “Blomstedt added wryly:” Churchill drank a lot of whiskey and smoked huge big cigars, and he lived to be ninety. “

Perhaps a factor behind Blomstedt’s longevity is his restless and curious relationship with even the most familiar scores. When I asked about the evolution of his Beethoven, he replied: “It changes a bit with each new performance. But that mostly changed when the new edition, the Bärenreiter, came out, around 2000. ”In this edition, Beethoven’s metronome marks appear at the top of the page, not in a footnote. “They’re not sort of optional,” Blomstedt said. “They are binding, perhaps not in the letter but in the spirit.” Like many musicians, he once considered such incredibly fast tempos, but the performances of original instruments conducted by John Eliot Gardiner and Roger Norrington helped convince him otherwise. Indeed, in the case of the “Heroic” Symphony, the marks produce a formal balance which is lacking in the monumental readings of Wilhelm Furtwängler, whom Blomstedt admired in his youth. “I felt as a young musician that the final was weaker,” he told me. “Now, in tempo, it’s the crown.” He sang themes from the first and last movement, demonstrating the continuities.

What advice does Blomstedt give Boston players? “Well, they’re used to the faster tempos,” he replied. “You in America are lucky to have Toscanini – he was very modern that way. Other issues caught Blomstedt’s attention. He sang the second ascending and descending theme of Beethoven’s Violin Concerto, which was also on the program, with Joshua Bell as soloist. The fourth falling at the end of the first sentence, he explained, should be “DEE daw “- stressed, not stressed.” But they play it DEE DAW. As BAW-STON. If they were talking like they are playing, everyone would be laughing. I try to work as much as possible on this. I try to show it with my hand. The feedback I get is when I notice the musicians are happy, and they do it even more beautifully than I could imagine. It’s a two-way street: I give them something, and they give me back even more.

During a break in the dress rehearsal, Blomstedt stood on the podium for several minutes, conversing with Haldan Martinson and Julianne Lee, two principals in the second violin section. They referred to a passage in the recap of the first movement of the seventh, in which the winds jump prematurely in D major while the strings remain in A. “It’s an interesting question,” Blomstedt told me afterwards. “Of course that’s fair. It’s like the “Heroic”, where in the first movement the horn enters E flat while everyone is still dominant. There are a few other examples like this in Beethoven, where parts of the orchestra pull the whole thing off. So here the woods say, ‘Come here, we wanna come in this direction.’ “

We continued to talk for almost an hour: about Bruckner’s next bicentenary, in 2024 (Blomstedt is sold out that year); about his notoriously sour Swedish colleague, Sixten Ehrling, who died in 2005; on his favorite Swedish composers, from pioneering Romantic symphonist Franz Berwald to eclectic modernist Ingvar Lidholm. But I felt I had to wrap up the conversation, mainly because I was ready to go to bed. Blomstedt came out of his dressing room to greet a young conductor, Felix Mildenberger, who served as his travel assistant and who also looked a bit sleepy. The sage strode across the hall, timelessly robust like the symphony he had just conducted. ??


Source link

]]>
https://swedishmusicshop.com/beethovens-most-important-conductor-is-ninety-four/feed/ 0